Both the Beta57a and SM57 were as easy to use as any mic we’ve ever handled. It just .. SMACKS. I also have the TAB modded 57 and it does indeed have more presence but for electric work the 57 rolloff is just plain nice to use. The Beta series mics are another story, though. They each ship with a mic stand clip and a soft zippered mic bag. What really blew us away, however, was the combination of these two mics. The SM57 does not have a full protective grille - but there's a good reason for this. In the studio, though, this isn’t an issue if you’re using it to mic other instruments in isolation. I really really like the Beta 57A on snare. The Beta series mics are another story, though. Vielleicht will man bei Shure damit die Eignung des SM57 als Instrumentenmikrofon suggerieren oder die oft erwünschte Überbetonung des Bassbereichs durch den Proximity-Effect ins Spiel bringen. Is it time to retire the old industry standard? 0000006671 00000 n Scott Kahn, Editor in Chief, was the co-founder and associate editor of Korg Connection, the first official user group publication for users of Korg musical instruments. Finally, we put the mics to use in a band rehearsal situation, and here, the nod definitely went to the Beta57a, through which vocals were definitely cleaner sounding. The Beta 58A is quieter than the SM58 due to its advanced pneumatic shock mount system. 0000006292 00000 n The Beta57a even included a template to hang over your mic to ensure proper placement of floor monitors in order to reduce the chance of unwanted feedback! 0000012305 00000 n 37 0 obj << /Linearized 1 /O 39 /H [ 1456 369 ] /L 286946 /E 273963 /N 2 /T 286088 >> endobj xref 37 50 0000000016 00000 n The little beta 57 allows you to actually see the face of the singer. In this incarnation I was hired for live sound for a University show choir for one full season, and they already had a mic locker to die for. On guitar cab, a regular 57, because it is the "standard" sound. 0000005327 00000 n 0000012466 00000 n Although similar to the SM family of products, the Beta series mics have a slightly different sound that makes them sometimes complimentary to, and other times a great alternative to, the familiar classics. 0000013343 00000 n Recorded high-gain metal guitar and mid-gain hard rock guitar with a customized Ibanez RG-series guitar through a Mesa/Boogie Dual Rectifier Road King II and matching 4x12 speaker cabinet. With good positioning I find I have very little trouble making the guitars sit in the mix right. Fresh Pots! most female vocalists. Everything you love about Sweetwater in the palm of your hand. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=dK5v6tNKmL0. Shure Beta 58A Supercardioid Dynamic Vocal Microphone Supercardioid Dynamic Vocal Mic You need top performance from your live vocal mic. FEATURES 0000273726 00000 n When i brought in my beta58 though, on vocals they fought to get it! 0000007436 00000 n Heck, we might just ask Shure to start writing some of our tutorials! Hey there! Some mics, especially if an Artist requires a windscreen on them, leave you with a visual of some eyebrows behind a large phallic object. C0082PSOsymclas � 3����?�^`��bb�h�l�l�s�z�z�����������������������������z��z�t�l�m�g�b�b�`]^�`zbybsgmllmgsbzzb`�^����R�Y�]�^�g�qq��~�þ���������������~�q�q�g�^��]Y�RSX~q]^qfgq^q]~XS�Q�\�%�,���������{�|�{zo�u}{}z{�x�����y�z�ur"^����~��~{�w8�O`��������������������������{�w2 Both mics are priced extremely well for the professional quality sound and rugged construction they offer. Upon reviewing the sample recordings, our first reaction was that the Beta57a exhibited fantastic crispness and a bright high end, whereas the SM57 sounded downright muddy by comparison! The Beta 58a and Beta 57a do not share the same mic capsule as each other — they are uniquely engineered products. The 10kHz difference at the bottom of the frequency scale really made a difference, and what first sounded muddy during a quick A/B comparison was really just the presence of greater low end and less captured frequency at the top. 0000005118 00000 n To learn more about our cookie policy, please check our Privacy Policy. Outside of work, Scott is an accomplished musician and producer with many independent CD credits writing, playing, and producing. Scott launched MusicPlayers.com in 1998 as a simple website hosting musicians' classifieds for the first few years, but he knew that when the time was right, he would turn his attention to building MusicPlayers.com into the kind of destination site that he wanted to visit as a serious musician himself. This website uses cookies to improve your experience. 0000001456 00000 n Though the differences are somewhat subtle in the specs department, differing primarily in the very low and very high ends of the spectrum, they are absolutely noticeable in our recorded audio sources. Both the Beta57a and SM57 are capable of handling very high SPLs (sound pressure levels), and are perfectly at home recording your overdriven 100-watt guitar amp or a loud, cracking, snare drum. For truly great vocalists, I like Neumann 105. If banished to our favorite desert island, we wouldn’t just take one over the other. Before digging into the details of each mic, it’s worth talking for a moment about some related mics and clearing up some popular assumptions or misconceptions. The Beta57a has improved handling noise rejection over the SM57, one reason that it is better suited to hand-held vocal performance than the older SM57. During a decade of work in Silicon Valley, CA, Scott wrote professionally for computer industry publications including PC Week Magazine and NewMedia Magazine. If you have a Pro Tools setup, you can download our complete Pro Tools LE session file (56.6 MB) by, Bass Guitar Effects, Pedals & Controller Reviews, Audio Interfaces, Mixers, Mic Preamps, Channel Strips, Hardware Processor Reviews, DAWs, Audio Processing & DSP Hardware Reviews, Recording/Live Sound Effects Processing Reviews, Recording/Live Sound CDs, DVDs & Book Reviews, Guitar Power Amps, Simulators & Modeling Tech Reviews, Rack Effects Processors & Guitar Synth Reviews, Drum Machines and Percussion Modules Reviews, Recording/Live Sound Audio Interfaces: USB, Thunderbolt Firewire Reviews, Recording/Live Sound Mixing Board Reviews, http://musicplayers.com/wp-content/uploads/2007/12/test1-sm57.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test1-beta57a.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test2-sm57.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test2-beta57a.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test3-sm57.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test3-beta57a.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test4-sm57.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test4-beta57a.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test5-sm57.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test5-beta57a.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test6-sm57.mp3, http://musicplayers.com/wp-content/uploads/2007/12/test6-beta57a.mp3, Roswell Ships Delphos II Condenser Mic - The highly anticipated update to the Delphos now available, Audified brings erstwhile brands’ virtual stomp box breakthroughs back to the future with MultiDrive Pedal Pro plug-in bundle, Focusrite Partners With sonible To Create Balancer Plug-in, Ten Minutes with Dream Theater’s Mike Portnoy, Two Notes Audio Engineering Torpedo Live Professional Loadbox & Cabinet Simulator, Ibanez ANB306 Adam Nitti Premium 6-String Bass Guitar, Adopt The Arts: A Tribute to Sammy Hagar A Night of Giving and Gratitude, Source Audio Soundblox Multiwave Bass Distortion Pedal, Peavey Electronics® Unveils Aureus™ Digital Mixer, Sennheiser unveils new MD 435 and MD 445 vocal microphones.