On this page there are easy to follow tabs along with audio at three different speeds. Using the Blues Scales. So you can play any of these notes in any order and it should still sound great -it will help if you start or end on the root, but generally you can’t go wrong. Check out some of these really easy pentatonic examples, or jump forward to some that are more challenging. There is a special affinity for heptatonic scales in the Western key signature system. They think that learning the “blues scale” will help them to write and perform blues style music – and they are correct! The first lick is really easy. This scale is formed from the pentatonic scale, to which a note called the Blue Note is added. Read More. But there are occasions when either approach will be more appropriate – for example the single string scale is often more useful when sliding between notes. A nice combination are the chords Am7, Dm7 and E7 together with the Am Pentatonic Blues Scale. See jam tracks below. Modes of the ancohemitonic heptatonic scales and the key signature system, https://en.wikipedia.org/w/index.php?title=Heptatonic_scale&oldid=988292724, Creative Commons Attribution-ShareAlike License, 'Phrygian raised sixth' s-t-t-t-t-s-t combines the Phrygian flat second and Dorian raised sixth, 'Lydian raised fifth' t-t-t-t-s-t-s combines the Lydian fourth with a raised fifth, 'Major minor' scale t-t-s-t-s-t-t Like natural minor (aeolian) but with a major third, This page was last edited on 12 November 2020, at 08:17. Any Pentatonic Scale can be divided into patterns. But why? The other blue dots will also be the A notes in this scale. on Twitter It’s great fun to learn a lick, riff or solo from someone like Eric Clapton or BB King and actually realise how they wrote that particular piece. Gypsy I-♭II-III-IV-V-♭VI-VII Miscellaneous Backing Tracks Rock Blues Funk. For more information on the guitar, visit Guitar Quarter web site. I have given you the set intervals for each scale (important point: flattened = note is lowered a semitone, sharpened = note is raised a semitone). This scale is formed from the pentatonic scale, to which a note called the Blue Note is added. If you practice these scales back to back over the top of a backing track you’ll notice that one note adds a whole different flavor to the tone colour. In this structure, it is played on major seventh chords, using the first, fourth, and fifth. The names heptatonia prima and heptatonia secunda apply to various seven-note scales that can be formed using tones and semitones, but without two semi-tones in succession. in different keys). I’ve played it with my palm of my picking hand muting the strings slightly. The blue note is the diminished fifth or the augmented fourth of the minor pentatonic scale. Roll your mouse over the pattern number below to see what the pattern looks like. These include Don’t feel you have to play too much. Pentatonic and blues scales for guitar are an essential part of any players guitar riff tool set. Blues practice is derived from the "conjunction of 'African scales' and the diatonic western scales". Guitar Tricks has a 60 day, no questions asked money-back guarentee. This kind of riff was used by Muddy Waters in his famous track Mannish Boy, and it’s been used in countless other blues and rock records. Share this post: This second lick uses just four different notes, again really really simple, but very effective. A heptatonic scale is a musical scale that has seven pitches (a.k.a. The blue note is the diminished fifth or the augmented fourth of the minor pentatonic scale. Home | Lessons | Scales | Riffs | Tuner | Videos | Games | Gear | Links | Sitemap |Contact. A classic progression in blues Blues is the so-called 12 Bar Blues or 12 bar Blues, the best known are: Notes on A: A7 D7 A7 A7 | D7 D7 A7 A7 | E7 D7 A7 E7 Grades: I7 IV7 I7 I7 | IV7 IV7 I7 I7 | V7 IV7 I7 V7. For further information on these modes, see understanding modes. Sound familiar? The blues scale can be thought of as the pentatonic scale but adding the blue note. Guitar: Pentatonic and Blues Scales: Quickly Learn Pentatonic Scale Theory & Master Essential Licks and Exercises is Publisher Fundamental Changes Ltd. and its Publis on 21 Apr 2016, File Size 3041 KB and Best Sellers Rank on amazon 255,981 in Kindle Store. You’re (hopefully) now able to play the above riffs. The Blue Note on guitar. In traditional classical theory, the melodic minor scale has two forms, as noted above, an ascending form and a descending form. Looking for even more guitar lessons? However, there are actually 4 different “blues scales” that can be used when you are improvising/composing blues style music. Pattern = 1st – 2nd – Flattened 3rd – 3rd – 4th – 5th – 6th – Flattened 7th – 7th. A minor Pentatonic Scale – 3rd Position (9th Fret) Comparing the major and minor Pentatonic scales, the minor scale just gets first prize as the most versatile, which is why we’ve featured it here and suggest you learn the A Minor Pentatonic scale to begin with. The best way to get used to playing the blues is to have a go at improvising over the top of a 12 bar blues chord progression.Try using each of the 4 different scales in turn picking out different notes each time. Guitar Tricks has over 11,000 guitar lesson, more than any other site, and new lessons are added each week. If you are struggling play them slowly. I hope this lesson has been useful to you. The red notes are the tonic and the blue are the blue notes, finally the green ones are the remaining notes of the Blues scale or minor pentatonic. I strongly advise getting hold of some pentatonic backing tracks and trying out some licks – you’ll be amazed at how great it can sound! The best way to get used to playing the blues is to have a go at improvising over the top of a 12 bar blues chord progression. The blues scale differs from the pentatonic minor scale only by the addition of a single note: the diminished 5th (also known as the ‘flattened 5th’, ‘flat five’ or ‘blues note’). This lick only uses the pentatonic blues scale box. Thus starting on keynote A as above and following the notes of the ascending melodic minor (A, B, C, D, E, F♯, G♯) yields these seven modes: These modes are more awkward to use than those of the diatonic scales due to the four tones in a row yielding augmented intervals on one hand while the one tone between two semitones gives rise to diminished intervals on the other.